A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting. After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision. 1928年7月,国(guó(🙉) )民(🚤)党第十(shí )二(èr )军军长(💮)孙(sūn )殿(diàn )英以(🤴)军事(shì(✴) )演(yǎn )习为名(🌨),秘(🛄)(mì )密挖掘了(le )清东陵慈(🎃)禧(xǐ )墓和乾隆墓(mù ),盗(🍀)窃了无(wú )数(🛩)的(〰)稀世珍(🦔)(zhēn )宝,但这些(👟)(xiē(🐁) )财宝下落不明。据民间(🎙)传说,孙殿英将部分财(📯)宝贿赂(lù )给(🔹)了(🥓)上司徐(xú )源泉,徐源(🍚)(yuá(👔)n )泉便将财宝(bǎo )埋在了(🕔)自家(jiā )公馆的(🔙)地下(xià(📱) )秘室中。文(wé(🔒)n )革(🕐)期间,有(yǒu )人在武汉(🍳)新(♐)(xīn )洲徐公馆附(fù )近挖(💴)出了不(bú )少(shǎ(🌼)o )枪支军(🤕)备(bèi ),结果有(💷)关(🥏)(guān )徐(xú )公馆藏有(yǒu )巨(🧣)(jù )宝的说法(fǎ )不胫而(🏾)走。影片以武汉(🤕)(hàn )新洲(🔚)仓埠古(gǔ )镇(💠)徐(🎄)源泉将(jiāng )军的古宅及(💁)(jí )密道为依托,首次通(🚴)过影片的形(🗄)式(🤷)向世人(🚰)公开此历史(🌉)文(🧓)化古迹。考古专业毕(bì(🧞) )业生雪莹跟(gē(🖖)n )随考古(🖲)专家(jiā )古莫(😟)教(📄)授等(děng )人进入徐公(📱)(gō(🍔)ng )馆考古,考(kǎo )古队在古(♑)宅(zhái )的地下秘(📆)道(dào )内(🍶)发现一件(jià(🔑)n )宝(🍋)物,宝物(wù )在(zài )押送途(😅)中(zhōng )被(bèi )匪徒抢走(zǒ(🏏)u ),之后教授(shòu )等(🎙)(děng )人与(🛎)男女(nǚ )神偷(🤦)、(🍩)国外(wài )文物团伙尤(yó(🤰)u )大等人激烈(liè )争夺,宝(🛷)物(wù )丢失后(🔲),匪(📚)(fěi )徒陆(🏢)续遭受报应(✅),并(🍵)出现系列离奇死亡事(😂)件,一场正义与邪恶的(🔳)(de )较量由此开(🎞)(kā(🎶)i )始...... 나만 사랑하겠다(🚤)던(📵) 그놈이 떠났다. 평생 한(😯) 명의 남자만 만(🥇)나온 "오(🚷)선영"의 첫 실(🚇)연(❔) 극복기 Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy. Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.